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1856", "cisStatus": "accessioned work", "acquisitionYear": 1856, "finberg": "CXCVII B", "pageNumber": 0, "resources": [{"id": 1075714, "url": null, "type": {"id": 2, "name": "DISPLAY_CAPTION", "displayName": "Display caption", "urlName": "display-caption"}, "publicationDate": "2004-09-08", "creditLine": null, "content": "

这幅里士满山的泰晤士河景色在特纳的油画中重现,水彩画铅笔草图和印刷多年来。他显然喜欢这个观点,并与之密切关联
\ r \ r \ narea以来他住在Twickenham附近
\ r \ nfor几年。

\ r \ n

\ r \ n

\ r \ n

这个谦逊的研究早于他的大规模研究帆布英格兰:里士满山在丽晶王子的生日(在C6室所示)。有事件填充了同样的观点
\ r \ nand活动。

\ r \ n

\ r \ n

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从里士满山的泰晤士河在特纳的油,水彩画,铅笔素描和印刷品中重新克服了泰晤士河。他显然喜欢这个观点,并与之密切关联
自从他住在特威克纳姆附近
好几年了。

这种无人梳士研究预测了他的大型大型帆布英国:里士满山在丽晶王子的生日(在C6室中显示)。有事件填充了同样的观点
和活动。

画廊标签,2004年9月

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特纳的许多画中都有彩虹,这显然是一种令他着迷的现象;它的形式结合了他对光线和色彩的兴趣。尽管很难确定这种研究的年代,但所使用的技术表明,这幅画大约是在1815年绘制的,那时候特纳经常去约克郡。然而,这项研究与几年前完成的马勒姆湾水彩画也有相似之处,在那里可以看到一道彩虹拱在一群牛的上方(大英博物馆)。

画廊标签,2004年8月

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